The Phenomenology of Film is a film appropriation video installation that attempts to de-familiarize popular cinema’s eschatological themes of death and love. Terrence works to isolate the performances of these themes by stripping away the film’s context and narrative, as well as juxtaposing the performances against each other. The Phenomenology of Death puts actors into a stasis where they now continuously (re)perform the contemplation of their once immediate death against the backdrop of a cyclical and relentless system. The Phenomenology of Chasing looks to reduce the representations of Big Love in the recurring form of the romantic chase by isolating this moment into a physical feat.